Title: Imogen: A Dark Romantic Thriller
Author: R.B. O’Brien
Genre: Romantic Thriller
Release Date: February 25, 2019
He was her enemy. She was his war spoils. He promised to try to keep her safe, but could he keep her safe from falling in love with the very man she should despise?
Imogen: A Dark Romantic Thriller is a story full of twists, where two flawed people are thrust into a dystopian world by no choice of their own. Captured and taken prisoner by the enemy on her wedding night, Imogen must find strength to survive her frightening new existence where her fate and safety hang in the balance daily. One false move could have dire consequences.
As the lines of good and evil become blurred, Imogen struggles between hopes of freedom with that of her growing love for the man she should hate. He very well may have captured her heart, but has she captured his? Or will she discover she doesn’t know who this man is at all?
R.B. O’Brien has always been drawn to the more taboo side of storytelling, even as a young adult, from hiding books from strict Catholic parents as a teen to getting lost in the erotic sections of bookstores for hours.
She is best known for her three published erotic romances, Thorne, Edge of Torment and Imogen. Much of her work explores the darker, sensual nature of relationships, those riddled with the reality of insecurities and human folly, often exposing the vulnerability, emotional turmoil, and occasional pain that can come from losing oneself in the heat of passion.
O’Brien holds a degree in English literature and teaches for a living in the Northeast, USA. She is the founding member of The Nu Romantics, a poet, a professor, a writer, a dancer, and a die-hard romantic known for her poetry prompts on social media including #writingromancelines, #sixwords, and #foundpoetry. O’Brien also has a profound affection for Shakespeare and beyond that, writes. Every chance she gets. Ruin My Lipstick is her first poetry collection.
Title: Living For Forever
Series: Battle Born MC #3
Author: Scarlett Black
Genre: MC/Erotic Romance
Published: January 24, 2019
The girl who walks this earth as a ghost of her circumstance must find her redemption to come back to the living. A new beginning will happen, but someone will have to pay in blood to get it.
Years of pain and crippling memories have left Jenn fighting through life to overcome a tragic past. Until they come back to destroy her and to take what they want. Can she bury the pain in lies to save those that she loves? Or will the lies destroy her in the long run?
Scarlett Black lives in a small town in Northern Nevada. She has three kids a husband and a couple of dogs. She loves to watch baseball, especially when her kids or husband play. One day she had random thoughts floating around in her brain, opened her laptop and started writing without really knowing of where the journey would take her. Here she is now, a first-time erotic MC genre author, that works full time. She enjoys her busy life, the outdoors and shopping as much as possible!
Title: Rescue She
Author: Kara Liane
Genre: Steamy Contemporary Romance
Release Date: January 22, 2019 Cover Design: Alyne Hart Cover Photo: Lindee Robinson Photography – $2.99 LIMITED TIME RELEASE PRICE –
“The push and pull between the main characters, the sweet and swoony romance, addictive writing and so much more left me no choice, but to fall in love with Rescue She and Kara Liane’s writing. I’ve added everything of hers to my TBR and you should too.” — Ari of The Red Hatter Book Blog ★★★★★
“My emotions were all over the place. I laughed, cried and loved with this book. It hit a little close to home. This is the first by Kara Liane and it is definitely not my last. Well done Kara!!!” — Jessica, Goodreads ★★★★★
“Kara combined sweet, heat, secrets, swoon-worthy romance and amazingly well-developed side characters who need their own stories (cough cough) and I seriously couldn’t gush about this book enough.” — Alyne Hart, author of The Men of Evansdale County Series ★★★★★
Weston is Olivia’s high school crush, and she’s spent sixteen years pining for a guy who she thought would never return her affections.
Olivia was the one girl who Weston tamped down his feelings for. He pushed her away, believing he wasn’t worthy of her attention.
When they meet again under harrowing circumstances, Weston saves her. The embers are stoked back to life. Their passion is ignited and the fire finally burns bright. But will it all go up in smoke? Because She just may need to rescue him right back.
Kara Liane is a lover of all things romance. She holds several degrees, including a Master’s in Management from Wayland Baptist University. Her husband of 15 years proudly serves in the military, and together with their twin elementary-age sons and two adult dogs, reside in New Jersey. Kara works full-time as a Lab Tech in the wastewater field. In her spare time, she reads and writes various things including poetry, stories about her kids, and her new novels. As a family, they love to go camping. Kara loves to hear from her readers, so be sure to stay connected with her!
Title: Rules of Submission
Series: Fans of Football Series
Author: Leigh Lennon
My whole life I’ve been told I was good for one thing. I was the family pawn, a pretty face to do their bidding.
Then I met him, and I dared to see a future where he could make me whole again.
But Lang has a secret – one that excites me. Now, I only want to play by his rules. But in his future, he sees things I can’t physically give him.
Will he leave me like everyone else does?
Power and control—I demand it. I never had it as a kid, but now my life is arranged and ordered as I like.
Then she comes into my life; young and inexperienced, and willing to surrender.
I’m ready to give up everything for my sweet Candy. But she gives me all her power. I hold it in my hands.
Leigh Lennon is mother, veteran and a wife of a cancer survivor. Originally with a degree in education, she started writing as an outlet that has led to a deep passion. She lugs her computer with her as she crafts her next story. One could say she loves pretty nails, big earrings and spiky hair. She can be found drinking coffee or wine, depending on the time of the day.
Series: The Chicago Defiance MC Series #4
Author: KE Osborn
Genre: MC Romance
Release Date: January 9, 2019 Cover Design: Kellie Dennis from Book Cover by Design
“This book is everything I love about MC romance. It has sassy biker babes, alpha makes, intense emotions, and the unexpected.” ~Amazon Review
“I was totally captivated throughout this addictive masterpiece, and I cannot wait to read more from this talented author, whose work I highly recommend for all MC lovers!” ~Wendy’s Book Blog
“This story is full of drama, tension, angst, twists, heat, passion and romance.” ~April’s Blog of Awesomeness
But time and fate are not on our side.
My president—her blood brother.
My patch—so close I can taste it.
Yet, I have to choose. Is there really a choice?
My club or the girl.
This woman shines brightly. She’s adored, worshiped, and cherished by everyone, not only me. I’m just the unlucky prospect who fell for her.
But we’re complicated. I want my patch, but I can’t have her and it at the same time.
This story isn’t only about a man fighting to have both—it’s secrets, battles, defection, and scandal.
Australian author K E Osborn was born and raised in Adelaide, South Australia. With a background in graphic design and a flair for all things creative, she felt compelled to write the story brewing in her mind.
Writing gives her life purpose. It makes her feel, laugh, cry and get completely enveloped in the characters and their story lines. She feels completely at home when writing and wouldn’t consider doing anything else.
I thrilled to share this gorgeous book today! In Servitude by Heleen Kist, has been blowing readers away in Europe since it’s release and now is taking North America by storm! Today I will be sharing an exclusive excerpt, and inviting you to enter an international giveaway for a chance to win a paperback copy of this exciting thriller! In Servitude is also available for review through R&R Book Tours. Find out how you can get a copy below! In Servitude Recently voted Top 50 Best Indie of 2018 on Read Free.ly Publication Date: August 23, 2018 Genre: Thriller/ Suspense/ Mystery Do you owe your family your life? Grace thought her sister led a charmed existence. She was wrong. Now she has to pay the price. When Grace’s beloved sister Glory dies in a car crash, her carefully planned life spirals out of control. She discovers Glory had been manipulated into illegal activities at her trendy vegan café. What’s worse, Grace finds herself an unwitting accomplice now forced to take over her sister’s shady dealings. Determined to keep her fingers clean and protect those Glory left behind, Grace plots to escape the clutches of Glasgow’s criminal underworld. But her moral certainty is challenged when more family secrets emerge and her sister’s past intentions remain unclear. Grace grows convinced Glory was murdered. Why won’t anyone listen? Seeking justice, she finds betrayal… Add to Goodreads
Blue pulled at the lead. I let him off once I’d scanned the area and noted no loose dogs. Only a lone figure loitering. His eye line crossed mine as he also examined the park, and paused on me long enough to raise a creepy sensation. I moved to a bench by the play park and pretended to tie my laces. When I straightened up, the man was striding straight towards me. I searched for Blue, hoping for a semblance of protection, but he was nowhere to be seen. Nor was anyone else. Before I could stop him, the man sat down next to me. He whistled and shouted, ‘Here boy!’ then faced me with a disturbing grin. As if he knew the dog wouldn’t come. I jumped to my feet and looked around. What had he done? On the second blow of silent air through my dry mouth, Blue appeared from behind a tree thirty yard away. Safe. He showed no interest in me or the man, instead sniffing out the ground’s many treasures. I turned back to the intruder. Standing over him gave me an edge—at least I thought it did—and I raised my chin and my voice when I asked, ‘Do I know you?’ He chuckled. ‘Nah, hen. I’m only the messenger.’ ‘What?’ His smile faded. ‘We’re not very happy about you closing the café for so long. You need to open up again. There’s a delivery coming on Thursday.’ ‘What do you mean? How do you—’ His eyes turned to ice as he grabbed my wrist in a flash. ‘We’ll be very disappointed if you’re not there to receive the goods. Ken what I’m saying?’ He rushed off, his dark coat billowing behind him like a cape, almost engulfing Blue who circled his legs, tail wagging, until he turned towards the road.For a limited time, In Servitude will be on sale, so be sure to download your copy today! Amazon US only 2.99 Amazon CA only 3.99 Amazon UK only 1.99 Europe only 2.99 Paperback also available Barnes & Noble & other outlets! About the Author Heleen Kist is a Dutch businesswoman who lived all over the world while growing up and for her career. Then she fell in love with a Scotsman and his country, and now writes about its (sometimes scary) people from her garden office in Glasgow. She was selected as an ‘up and coming new writer’ and awarded a Spotlight at Bloody Scotland 2018, the International crime writing festival. Her debut psychological suspense novel ‘In Servitude’ was inspired by Heleen’s expertise in small business finance mixed with her friend’s courageous idea to open a vegan cafe in a city renowned for its dubious diet. She is currently working on her next book, which will be dark women’s fiction. In Servitude by Heleen Kist are up for grabs!!! *International Giveaway Winners will be selected at random on 23 December and notified personally, only your initials will be used in the winner’s announcement. R&R Book Tours
To get ready for the 2019 release of book 2 in The Cape Mysteries, I’m sharing Death in Vermilion today, the book that started it all! I dare you to read the first chapter and not download a copy today! Death in Vermilion Publication Date: April 16th, 2018 Genre: Mystery/ Thriller/ Suspense KWL Cover Contest of 2018, Mystery Category Nominee! A psychological thriller about murder among friends … and enemies. Who do you trust? Leila Goodfriend is laying down the bones of a painting. Interrupted by Iris, the noisy, unlikeable artist in the studio upstairs, Leila becomes distracted and annoyed. When she discovers the racket was actually Iris’ dead body hitting the floor, Leila becomes obsessed: Who murdered Iris? The other Red Barn Cooperative artists—competitive, jealous and hypocritical—are prime suspects. They all hated Iris. “An artist owes his life to his art,” Iris said. Iris was good for a laugh. But no one is laughing now. In this gripping mystery, new author Barbara Elle paints a clever and twisted picture of women and sisters, whose lives are entwined by a brutal murder in a charming Cape Cod town. Alibis fall apart. Plot twists multiply. And Leila comes to a dangerous conclusion. Add to Goodreads
Available on Amazon & Kobo About the Author In her stunning debut thriller, author Barbara Elle paints a clever and twisted picture of women and sisters, whose lives are entwined by a brutal murder in a charming Cape Cod town. Death In Vermilion asks: Who can you trust? After falling love with books and writing at a young age, she honed her writing chops as a copywriter at Macmillan, Doubleday Books and other publishers. She reported on local events, news and personalities working as a freelance journalist. She grew up in Boston, but as an adult became a New Yorker. However, her writing draws on people and places she remembers, so Death In Vermilion is set on Cape Cod, a place of memories. Barbara continues collecting characters and plots, often traveling the world with her touring musician husband, exploring Buddhist temples in Beijing, crypts in Vienna or Kabuki Theater in Tokyo. She always packs a notebook and a laptop. She is currently working on the second book in The Cape Mysteries, Death in Smoke, due for publication in 2019. Death in Vermilion, click the link below! R&R Book Tours
Bellies and StripsThere was no glance more cutting or cruel. The narrowing of unsympathetic eyes a shade of cool, blue slate, like Dylan’s on the cover of Highway 61 Revisited. The imperceptible flare of nostrils, followed by a slow yoga exhalation in Savasana, the corpse. It wasn’t going well. Leila Goodfriend was laying down the bones of a painting. She took a step back from her easel. A no-name clam shack clung fearlessly as a barnacle to the edge of the old East End pier. A forlorn wooden structure, barely bigger than a Punch & Judy puppet stage, had withstood the fierce winds whipping off the water in the dead of winter. The pier was deserted. Anyone could paint a sunny day. After outlining the shack in ghostly charcoal strokes, she stood, hand on hip, poised with a palette loaded with ultramarine and cobalt blues for the sky, sap green for foliage, a transparent manganese blue hue for waves in the water, Van Dyck brown for the pier’s planks and Naples Yellow Hue for sunlight. Flake white blobs dabbed in the foreground could be gulls, or children, or discarded clam containers. She hadn’t decided which. Leila loved that shack, the rough pier, and the view of dotted Race Point Lighthouse off the distance. Painting was all about execution, feeling a connection to the subject, the composition, the angles of light. Though local artists mostly painted popular summer scenes of boats and beaches. That’s what the summer birds, vacationers who nested in the Cape Cod dunes from June until the end of August, bought. Her husband Joe dubbed them the dorks of summer. Leila didn’t care what unflattering name Joe had for them, or whether the summer birds cared as much about this place she called home as she did. She wanted to sell them a painting capturing what she loved about this place. If she was lucky, and painting was largely a matter of luck, random strokes on the canvas would become a painting, At the Clam Bar: Succulent Bellies and Strips. If one of the summer birds bought her painting, she’d be happy. Even the most dedicated of artists needs affirmation sometimes. A loud whacking thump overhead jarred Leila rudely from her thoughts; the thud traveled like a jolt of electricity down her spine Immediately, Leila knew the disturbance, of course, was Iris. Iris again. Always Iris. Of the six other artists who called the Red Barn home, her studio had to be, unfortunately, overhead. And inevitably, as Iris worked, the creaking old floorboards quaked under her relentless assault with her flapping Birkenstock sandals. Leila complained about Iris to Joe more than once, actually almost every day. It was impossible for someone who barely grazed five feet could make so much noise. Iris could be quiet if she tried, she’d say. She was inconsiderate. She was pompous. “Art,” Iris would say, “has a life of its own and an artist owes his life to his art.” Quoting Iris was good for a laugh. If Iris bothered her so much, Joe would say, why keep talking about it? Why not rent a different studio? That would make sense, except Leila loved her space, had been there for nearly five years, and was lucky to have found it in this touristy town. Besides, she hated giving in to her own annoyance; she’d learn to ignore Iris if it killed her. Maybe, someday, Iris would just float away like a child’s birthday balloon. No such luck; gravity worked overtime with every tread Iris inflicted in her flapping Birkenstock sandals. Leila fought her first instinct, which was to grab the long, telescoping pole by the casement window, stand on a stool and bang her weapon of choice sharply on the lofty ceiling, twice. It wouldn’t work. It never did. Iris would ignore her. Instead, Leila turned up NPR on the radio. She could drown out Iris with the sound of undemanding human voices on the radio. NPR was excellent company and, when necessary, excellent white noise. The hourly news, a lengthy interview, a personal piece affected in that breathless NPR accent was the perfect antidote for distraction. And the distraction was usually Iris. Iris McNeil Thornton was a fellow member of the Red Barn Art Cooperative at Castle Road, which was housed in the happily dilapidated Red Barn Studio. It was high on a hill, overlooking Pamet Marsh, close enough to spy the flights of blue herons and egrets wheeling through the Aliziran Crimson sky, the sun an orb of Cadmium Yellow falling into the salt marshes from her window. Among the Red Barn’s many charms were the old building’s quirky twists and turns, the sizeable studio spaces with high ceilings from its former life as the Southwind Bros. Button and Snap factory. Leila loved the patina on the old, uneven oak floorboards, the room secreted under the stairwell, doors that jammed and staircases that creaked. But it was the heady mix of gesso, turp, linseed, pigments, primer, developers and emulsions, the fat smell of oil layered with acrylic resin and a faint dash of watercolor, an acrid, chemical concoction heady in the nasal passages, smells as familiar as the scent of a baby, that made it home. Not that the Red Barn was without its problems. The daily irritations of artistry and intimacy meant the Red Barn artists were often less than happy. And when the Red Barn artists were less than happy, which occurred as frequently as the tides, they would reach for anything on hand ⎯ brooms, clogs, slammed doors, sighs in the hallways, post-it notes on the bulletin board, giggles behind a back, and any combination thereof ⎯ to convey their displeasure. Under other circumstances such communications might be considered rude, but the Red Barn operated by its own set of rules. It wasn’t that the Red Barn, a collective space of otherwise solitary individuals, didn’t have its share of fellowship and communal spirit. Sometimes it was nice to see a friendly face. But, recently, their friendships had been called into question by a series of items gone missing, small stuff, seemingly at random, from their studios, Daklon paintbrush, a can of gesso, and unused tube of paint and a half-used tube of paint. A box of plastic gloves was now empty; which Leila was sure had been half-full. No one said theft, not at first. It was more like, did I leave this in your studio? did you find this in the bathroom? I must be a little crazy because I was sure I had it, but as the missing items mounted, minor though they were, so did whispering, suspicion, and an uneasy sense someone, maybe one of them, was a thief. It made Leila uneasy; maybe someone was invading her studio, without her knowing. She debated whether, like Iris, she should lock her door at the end of the day. But she shook it off as unnecessary paranoia and decided to ignore it. Leila took a deep breath, brushed back her unruly, graying curls, squinting at her canvas. When she painted, the circling steps of the heavy woman upstairs receded from consciousness, and time was suspended. The wood planks of the pier were muddied. The perspective wasn’t quite right. The colors weren’t right. Leila waggled the end of her paintbrush like a cigar between her lips. It was a messy habit. She looked down at the black-and-white photo of the shack, not that she had any intention of painting the snapshot, any more than a musician only plays the notes. Leila picked up her palette knife. Shaped like a small trowel for digging in the dirt, its usefulness came from its versatility in blending colors, creating textural effects, or scraping across the surface of a painting to obliterate an offense. Artists can be rough on their work; Leila was her own toughest critic. The pier had to go. Leila wielded the knife, scraping hard until she hit the tooth of the canvas. She preferred working on a good, tightly woven cotton duck. It wasn’t an inert surface, so it recovered quickly after Leila’s brief attack. She dabbed a rag soaked in turpentine on the wound. The reconstruction of the pier could wait until tomorrow. What time was it? Leila lost track of time as she worked. She never wore a watch in the studio. But if she left too late, Joe would be annoyed his port wine reduction for the seared tuna had broken. It wasn’t the sauce—he could revive with a quick whisk of butter on a low heat—it was her spending more and more time at the studio and coming home later. The sky over Cape Cod Bay was a wistful grey heading into night. Leila put down her palette knife, turned down her radio, and listened. There was quiet, finally quiet, blissful silence. Now, at the end of the day, Leila had to steel herself for the most infuriating moment of the day: Iris leaving. The torrential thumps of Iris’ flapping Birkenstocks as she gathered up her belongings, slammed the window, searched for her purse, and slammed her door. The old oak boards were punished as as Iris clomped overhead. The stomp was followed by the slam. Iris was incapable of doing anything quietly. There was some relief in the slam—it meant Iris was no longer overhead. The Red Barn artists never said good night, pretending not to notice each other’s comings and goings. So Leila didn’t expect Iris to poke her head in, or wave when she passed by. However, the daily drama of the swirling clamor that was Iris, like a performer doing a star turn on the stage, made it impossible not to notice her entrances and exits. Leila walked to the window. The light of an Indian summer day was fading. Sailboats moored in the bay listed drunkenly. Had the final thump earlier signaled Iris’ departure? Leila walked back to her canvas. She recognized this as the same solitary circling as that of her neighbor overhead. It was ironic, but that didn’t stop Iris from being an annoyance. She put her tools on her workbench. She should rinse them in turpentine and water in the bathroom at the end of the hall—the brushes would be tackier and difficult to clean after drying overnight. Oh well, she’d deal with that in the morning. Grabbing her backpack, she turned out the lights and closed her door. The hallway was silent. The other studio doors on her floor were closed. No Philomena, no Dové. But something in the quality of the jarring loud noise earlier somehow made the quiet louder. The stairs were poorly lit, even after Leila switched on the bare bulb dangling overhead. The whole damn place was a fire hazard. She climbed to the second floor. No Liz, no Gretchen. Later, she couldn’t quite explain why hadn’t she gone home. The crap fixture in the upstairs hall, that never worked right, was out, as usual. The damn, dusty moose head Iris had mounted above her door stared down dolefully through its blind, button eyes. Its antlers wore a fine coat of dust. Iris’ door was open a crack, which surprised Leila. Iris worked behind closed, locked doors, all day, every day. The other Red Barn artists left their doors open at least a smidgen, not exactly an invitation, but not a deliberately antisocial act. Iris had no such compunctions. Leila knocked. Silence. She hesitated. Should she leave Iris alone? She took a few steps back toward the stairs, but turned around. What harm was it peeking inside? “Iris, its only me, Leila. ” No answer. “Iris, are you there?” Leila stared through the crack in the door. At first, she thought the room was empty, but as her eyes adjusted, Leila made out a shape, or maybe a shadow, in the center of the studio. The value of the only available light source, through the far window, made it difficult to see. Iris refused to use artificial light. She insisted on painting ‘as the Old Masters had’, that is, only by natural light. For a time, she had painted by candlelight, until the Red Barn got wind of it, banning burning candles before Iris burned the place down. Leila stared at the shape. It didn’t move. Iris never left her door unlocked. Maybe she’d left something behind and would come back for it. Leila pushed the door open further, venturing into the silent studio, under the disapproving gaze of the mildewed moose, inching towards the shadow. Iris, who incurred the Red Barn artists’ collective ire by deprecating the work of her fellow artists, neglecting to lock the front door, leaving puddles around communal hall sink, and far worse, as the prime suspect in the ongoing war of toilet squatting accusations, that same annoying Iris, was splayed on the floor, eyes wide open, inert as a tube of sepia. It was a body. Iris’ body. Later, Leila recalled the body like a dead deer, abandoned on the side of the road after an accident. She remembered noting the color of Iris’ skin, like the underpainting of flesh in a neutral shade—what artists called grisaille, or dead coloring. Ironically, under the circumstances, the scene is not unlike Iris’ own brooding assemblages: the carnage of death, overripe fruit in silver bowls, bird carcasses on platters, and game animals, fresh and bloodied, trophies of the hunt hung in the background, rendered in the style of the Old Masters. And later, Leila was vaguely ashamed of her observations, her detachment. But, she thought defensively, isn’t observation was a habit developed over a lifetime? Tentatively, Leila inched forward, reaching out her hand to touch the body. She yanked it back as if it was submerged in a shark tank. Iris was surprisingly warm, alive warm. As her eyes adjusted to the low light, Leila saw Iris’ blood was a seeping stain from her flowing blue dress onto the floorboards. The red was the red every paint manufacturer had tried, but failed, to capture in a tube. Brilliant, blood red. But the eyes were dead, even if the heart was beating. Leila’s heart dropped a beat. Fear crept up her throat. Leila had to look away; she couldn’t look at those eyes. Should she call out? Is anyone here? But it was better she was alone, even if it was with a dead body. But, Iris wasn’t alone. A small figure stood—as if on guard—over the body. Leila bent down to look at it: it was a wooden artist’s mannequin, no bigger than a child’s toy, standing guard over Iris. She recognized him immediately. Jesus, it was Fred, fucking Fred— Leila, in a fanciful mood, had painted the figure to be anatomically correct, as well as well-endowed—who had gone missing from her studio months ago. But poor Fred, as an eyewitness to a crime, could have nothing to say. There was no doubt he was Fred, and that he belonged to her. Bending down to pick up her missing mannequin, Leila gazed into his dead eyes. What to do? In truth, she was both embarrassed by her handiwork, and concerned his presence could be construed as evidence at the scene of the crime; she pocketed Fred and in a sleight of hand he disappeared. Leila didn’t need Fred to paint the picture. Iris prone. The blood. The burnished wood handle of a knife stuck in an ample left breast. Iris had been murdered. Leila didn’t scream. Leila wasn’t a screamer